Bovtiqve Fashion Week Miami 2025: A Visionary Fusion of Art, Culture & Swimwear

Models walking the Runway
Miami Design Disrict/Miami Swim Week

Picture this: a balmy Miami evening, the sky a canvas of twilight hues, and the outdoor patio of Collectors Club in Wynwood pulsing with the kind of energy that makes your heart skip a beat. This was Bovtiqve Fashion Week (BVFW) Miami 2025, a three-day event from May 29 to May 31st that didn’t just join the Miami Swim Week calendar—it stole the show. With a wink to tradition and a bold embrace of the new, BVFW turned the city into a playground for emerging designers, audacious artists, and fashion lovers like me who live for the thrill of discovery. This wasn’t just a fashion event; it was a love letter to creativity, community, and the sheer audacity of style.



The Prelude: Champagne, Connections, and Swimwear Teases

On Friday, May 30, I honored an invite to Before Our Time Studio, a chic little gem at 8163 NE Second Ave, for the Champagne & Perfume Pop-Up. The space was a mood board come to life—think low and sultry lighting, casting smoky amber glows across sharp surfaces and silhouettes in motion. The air carried a whisper of elegance by B22 fragrance, a unisex scent by the creative director Star and the Brand founder Tia that added a sultry note to the evening, but let’s be clear: the real star was BVFW itself. This wasn’t only about taking a whiff of perfumes; it was about diving headfirst into the world of fashion’s next big thing. Creative Director Franck Mille, a maestro of vision, and Angelo Diaz, the heartbeat of the operation, mingled with guests, their passion for BVFW’s mission palpable. Some of the Models, all poise and charisma, floated through the room, offering glimpses of the runway magic to come. A swimwear designer—who displayed some of her creations—dropped hints about their collection, teasing silhouettes that promised to push boundaries. It was the kind of night where connections sparked, ideas met, and you left feeling like you’d just been let in on fashion’s best-kept secret.


Day Three: The Runway Takes Over Wynwood

Come Saturday, May 31, the Collectors Club at 2812 NW 2nd Ave transformed its outdoor patio into a fashion fantasyland. The open-air setting was pure Wynwood magic—exposed brick walls framing a runway lit with anticipation, with the Miami skyline as a backdrop. The crowd, a fabulous mix of industry insiders, Boutique buyers, influencers, and style enthusiasts, arrived in a parade of gauzy two-pieces, bold metallics, and swimwear that screamed “I’m here to be seen.” A slight delay—because what’s a fashion show without a touch of drama?—only amped up the anticipation. By 8:10 PM, DJ Fresh AF dropped a beat that hit like a shot of espresso, and the night exploded into life.

The runway, set against the balmy night air, became a stage for five visionary designers and a groundbreaking art collective. Each collection was a story, a statement, a moment that left us gasping, clapping, and furiously snapping photos. Here’s the lowdown on the talents who made this night unforgettable.


The Collections – Fashion with a Point of View

The BVFW runway wasn’t just a showcase. It was a thesis on what fashion could and should be—purposeful, expressive, and inclusive.

Models and the Arts: Living Canvases

The show opened with a striking visual statement: Models and the Arts transformed the human form into a walking exhibition of bold expression. A series of models emerged, their bodies painted in a kinetic explosion of color and shape, each one a unique composition of abstract lines and electric hues. Paint swept across skin in fragmented patterns — sunset orange, citrine yellow, sky blue, deep violet, and jet black, layered in sharp strokes and curved angles that defied symmetry. These weren’t outfits. These were compositions. Each model became a living, breathing canvas, blurring the line between body and brushstroke, between the physical and the conceptual. As they walked the runway, the paint moved with them — a shoulder became a skyline, a thigh curved into a storm of color. The lighting bounced off their skin, catching highlights in the paint that made them look almost sculpted from molten pigment. The crowd buzzed with a mix of surprise and admiration — phones lifted, mouths parted — as the models struck confident poses, holding the space with unspoken stories. It was more than fashion. It was a celebration of the body as art, of color as language, and of creativity unleashed. In just a few minutes, the tone for the night was set: this was not a place for convention — this was a place for bold statements, unfiltered expression, and unforgettable moments. It was a daring opener that set the tone: BVFW was here to break boundaries.

So Osko: Art That Walks

Next, So Osko, an Atlanta-based traditional and digital painter, transformed the runway into a gallery. Her vibrant artwork—bold abstracts and evocative portraits—was printed onto canvases that models walked holding creating moving masterpieces. So Osko’s vision was clear: fashion is a canvas, and her art was meant to be lived in. The models moved with a confidence that said, “I’m holding a story, and I’m telling it loud.”

Kelpie Swim – Bold by Nature

Making its BVFW debut with quiet confidence and unmistakable flair, Kelpie Swim brought a purposeful edge to the runway. Designed in Australia and ethically produced in Bali, the brand champions slow fashion with soul—where every stitch has intention, and every piece is a nod to mindful luxury.
Their collection featured a series of striking two-piece bikinis, anchored by a bold leopard print that roared with attitude. This wasn’t animal print as an accent — it was the main event, reimagined in high-definition contrast with sleek silhouettes that embraced both minimalism and strength. Each look moved with ease and conviction, the kind of swimwear that turns heads without trying too hard.
Kelpie Swim stood out not just for its design, but for its ethos. In a week filled with spectacle, this collection reminded the crowd that sustainability can be unapologetically stylish, and that boldness doesn’t have to come at the planet’s expense.

Ohsea Swim: Safari Soul

OhSea Swim, a gem from Trinidad and Tobago, brought a wave of untamed elegance to the BVFW runway with a collection rooted in heritage and crafted by hand. Known for their artisanal approach and deep cultural pride, the brand unveiled a lineup of swimwear that blended animal instinct with island energy. The collection featured a powerful mix of leopard, zebra, and snake prints, reimagined in a palette of rich blacks, crisp whites, and earthy browns. But it wasn’t just the patterns that turned heads — it was the variety in form. Models stepped out in one-shoulder stunners, sleek two-piece sets, and striking one-piece swimsuits, each design walking the line between fierce and refined. From cut to color, every piece moved with intention, capturing the raw beauty of the wild and the rhythm of Caribbean life. OhSea Swim’s collection didn’t just celebrate the body — it celebrated where it comes from, proving that handmade, purpose-driven fashion can be both bold and beautifully wearable.

Devalish Angel: Wild Romance

Devalish Angel, a self-taught designer known for handmaking each swimsuit, brought a collection that was as bold as it was personal — a fearless blend of attitude, artistry, and allure. Her designs featured a striking range of leopard prints, leopard-meets-floral fusions, sleek snake patterns, and solid suits with unexpected cuts and design elements. Whether it was a daring plunge, a sculptural strap detail, or an unconventional cutout, each piece was designed to accentuate confidence and individuality. One showstopper — a leopard print two-piece accented with bold florals — caught the light like a secret in motion, turning heads and cameras with every step. Another standout featured a solid base with an offbeat silhouette, proving that even minimalism can speak volumes when crafted with intention. Devalish Angel’s swimwear wasn’t just made — it was felt. Each look was a visual expression of freedom, inviting wearers to embrace their edge, own their softness, and walk like their story matters — because it does.

Donny Angels: Edgy Allure

Donny Angels, helmed by the effortlessly cool Donell Carter, didn’t bring swimwear — he brought drama in dress form. His collection was a love letter to summer with a couture accent, serving up runway-worthy dresses that flirted with formality while still catching a breeze. If fashion had a heatwave, this was it. Think pleated wrap dresses in bold solids, structured yet flowing like they knew they belonged in both a gallery and a yacht party. A sheer lace number floated down the runway, barely grazing the body and completely stealing the spotlight — equal parts sultry and sacred. Then there were the high-slit power plays, each one daring you to look away (spoiler: you couldn’t), with cutlines sharp enough to start conversations and maybe a few crushes. Donny Angels didn’t blur the line between day and night — he erased it. These were not your average sundresses. They were statements in motion, made for women who want to glide through summer like it’s their own private runway. From golden hour cocktails to after-midnight rooftop moments, these looks said one thing loud and clear: understated is overrated.

Lyndie Land: The Showstopper

Lyndie Land closed the show like only a true headliner could — with sparkle, power, and just the right amount of theatrical flair. Her collection shimmered with sequins in all the right places, proving that swimwear doesn’t have to be subtle to be stunning. From leopard print stunners to gleaming black and gold creations, each look was made for the spotlight — and unapologetically claimed it. Sequins weren’t just accents here — they were the mood. One-piece swimsuits glittered like disco under moonlight, and bikini sets caught every camera flash like they were born for it. But the moment everyone will still be talking about? A jaw-dropping dark green one-piece, dripping in sequins with a dramatic train flowing behind it like fashion royalty in motion. It didn’t just live up to the hype — it raised the bar, high-kicked it, and walked off in heels. The models didn’t walk — they owned. With every strut, they carried the brand’s fierce energy: bold, glamorous, and delightfully untamed. Lyndie Land didn’t just end the show — she dropped the glittery mic, leaving a trail of sequins and stunned expressions in her wake.

The Architects of Style – The BVFW Team

What’s a visionary event without the visionaries behind it?

None of this would have been possible without the BVFW team, a group of dreamers and doers who turned vision into reality. Creative Director Franck Mille orchestrated the event with the precision of a symphony conductor, while Global Ambassador Angelo Díaz, the evening’s charismatic presenter, wove cultural threads into the narrative. Rosalita Ayala Acevedo’s beauty team worked magic, ensuring every model looked like they’d stepped out of a Vogue spread. Partnerships with Maison Iuvenis (Paris) and Heritage Consultancy Network (UK) hinted at BVFW’s global ambitions, positioning it as a movement that transcends borders.


A Final Walk – The Legacy of BVFW Miami 2025

What makes a fashion event unforgettable? It’s the moments that linger—the hush before a finale, the stranger next to you whispering, “Did you see that?” BVFW Miami 2025 was a tapestry of those moments, woven with heart and hustle. In an industry often gatekept by exclusivity, BVFW flung open the doors, inviting everyone to the party. It celebrated emerging designers, championed artists like So Osko, and created a space where creativity could breathe.

With New York (September) and London (October) on the horizon, BVFW is no longer just a Miami moment—it’s a global movement. If this weekend was any indication, the fashion world better buckle up. BVFW isn’t here to follow trends; it’s here to set them. And as I left the Collectors Club, the stars above Wynwood twinkling like sequins, I knew I’d witnessed the start of something extraordinary. And if Miami was a preview? The world’s not ready—but fashionably speaking, it never is.